This also shows again how Mario is much more than just a game and is a wide and versatile concept that allows fans to manipulate and claim as their own. Social media is a great platform for companies to take advantage of as it is free and fans promote it themselves without even knowing by the posting of memes and fan fiction. This is positive as it publishes the Mario franchise on social media platforms and extends the promotion of the game for free. /rebates/2fTextual-Poachers-Television-Fans-and-Participatory-Culture2fJenkins2fp2fbook2f9780415533294&. These examples of textual poaching all contribute to making Super Mario successful as it shows how audiences interact with the text and how they take the game’s characters and plot and remix and change it t make it their own. Book Reviews 159 Textual Poachers: Television Fans & Participatory Culture. The technique goes beyond fan appropriation of a text to challenge what is plausible and well accepted. ![]() ![]() If you wish to read some I have posted a link below. Textual poaching is a common technique used by bloggers who attempt to advance social issues involving sensitive or controversial subjects such as gender, race, social class and politics. These are often published on private sites or quite frequently Tumblr. There are also many fan fiction stories created by fans. These are made by fans and published on social media platforms such as Twitter, Tumblr and Facebook. Textual Poachers explores fan culture and examines fans social and cultural impacts. Some examples of memes created by fans are shown below. Textual Poachers: Television Fans & Participatory Culture is a nonfiction book of academic scholarship written in 1992 by television and media studies scholar Henry Jenkins. Fans love to take the simple concept of the Super Mario plot and twist and manipulate it and create their own stories. There are a lot of textual poaching surrounding Super Mario. This often occurs on social medias in forms of ‘memes’, ‘gifs’ and fan fiction. “The term “textual poaching” was first developed by the French scholar Michel de Certeau in The Practise of Everyday Life (1984) and later developed by Henry Jenkins in Textual poachers: Television Fans and Participatory Culture (1992).” (Levine, 2010) It is where fans / audiences take texts and almost remix and change it to make it their own unofficially.
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